![]() however if you’re considering Workstation software like this I think you’re better served in building your own pallete of sound(s) from your own sources. I know I can sometimes sound like a broken record: “go buy a sampler, you’ll thank me later” etc etc. ![]() The newest samplers don’t color your sound at all so you can bring them back ( most have a SPDIF or even ADAT option) into the computer and apply whatever VST effects you want to get any sound you can imagine. Picking up something like an Akai S6000 or Emu E4XT ( they sell for peanuts now, and we’re originally thousands of dollars) will give you way more options and possibilities than NNXT or NN19, and you can use any waveform(s) you want to craft a sound. If you really like ROMplers, I submit that you’ll LOVE a sampler. You’ll have to HP it to let your bass and kick through, and possibly LP it to allow for your melody and topline to come through, and by now you’ve pared it way back.Īs you may have read, I’ve got a personal issue with ROMplers.they are preset machines for the most part and with preset waves ( as opposed to live modeled VA oscillators) you are limited to what the developer gives you. That absolutely huge powerful, sizzling 12-voice supersaw patch that sounds so damn impressive is going to clog your mix, sucking up bandwidth and volume as well as most likely sound flat and sort of “dual mono” as it’s spread wide. ![]() Even for athmosphere and so on, its normal to tweak the instrument to fit well in the mix, why do people always complain that an instrument must blast them away on its own with every patches in the soundbank? ![]()
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